Back in the Lab Again Whoops I Whiffed Grab Again Fox Naired My Shield Now Im Getting Tbagged Again

Grayness Photographer (Lensman #4)

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Championship: Gray Lensman (Lensman #4)
Writer:
Smith, Edward Elmer ('Doc')
(v of xv for writer by title)
The Imperial Stars
The Galaxy Primes
Published: 1951
Publisher: Pyramid Books
Tags: fiction, science fiction
Description:

The activity in Grayness Lensman picks upward immediately where Galactic Patrol left off, in the middle of the battle to destroy Helmuth's Primary Base and, it is hoped, fully end the threat of Boskone. Later the base falls, Kinnison finds some clues that atomic number 82 him to think that Helmuth was perhaps not the head of Boskone after all. The clues lead Kinnison to mount an expedition aboard the newly constructed super-dreadnought Dauntless, into the Second Galaxy where he thinks the truthful head of Boskone might reside. The Dauntless locates a planet nether assault and comes to its aid, destroying the Boskonian forces and discovering that the unabridged planet is capable of going "complimentary" (that is, inertialess, the method used in the Photographer books to achieve interstellar and intergalactic space travel). The Photographer returns to the First Galaxy with the infinite-faring planet and its grateful residents. [Suggest a different clarification.]

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Pages: 239Info

Writer Bio for Smith, Edward Elmer ('Doc')

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Edward Elmer 'Doc' Smith was one of the ascendant forces in the sf of the thirties and forties and continued to write into the sixties. Most of his piece of work falls into two series of space operas--the Skylark of Space sequence and the Lensman books. In The Skylark of Space, Richard Seaton invents an interplanetary, and then an interstellar drive, and is caught in endless rivalry for love and wealth with the equally brilliant Duquesne, a criminal mastermind; their battle extends among the stars as they recruit, and periodically exterminate, alien allies of progressively greater weirdness. The Lensman books started as an business relationship of the adventures of Kimball Kinnison of the Galactic Patrol and his various fellow cops, man and not, and turns into an apocalyptic scenario in which all of human and alien history is manipulated by practiced and evil aliens across millions of years; somewhen Kinnison's mutant children destroy the evil Eddorians by dropping several planets on them. All of this has a sure crude vigour--Smith was one of the showtime people in lurid sf to exploit that sense of scale in time and space that Olaf Stapledon was doing more thoughtfully in his work and Smith was i of the first sf writers whose aliens are non just human beings in strange suits; his piece of work is clumsy and sometimes descends in the direction of kitsch, merely it has its ain season.--fantasticfiction.com.

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